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Shakespeare, William --- Catholics in literature. --- Catholics --- Christianity and literature --- Secrecy in literature. --- Intellectual life. --- History
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Authors, German --- Bible and literature --- Christianity and literature --- German literature --- Religion --- History and criticism
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Christianity and literature --- Christianity in literature --- Polish poetry --- History and criticism
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Christianity and literature --- Civilization, Greco-Roman, in literature. --- Dialogues, Greek --- Heroes in literature. --- Protesilaus (Greek mythology) --- Religion and literature --- Religion in literature. --- Trojan War --- History and criticism. --- Literature and the war. --- Protesilaus (Greek mythology).
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This study challenges critical assumptions about the role of religion in shaping women's experiences of authorship. Feminist critics have frequently been uncomfortable with the fact that conservative religious beliefs created opportunities for women to write with independent agency. The seventeenth-century Protestant women discussed in this book range across the religio-political and social spectrums and yet all display an affinity with modern feminist theologians. Rather than being victims of a patriarchal gender ideology, Lady Anne Southwell, Anna Trapnel and Lucy Hutchinson, among others, were both active negotiators of gender and active participants in wider theological debates. By placing women's religious writing in a broad theological and socio-political context, Erica Longfellow challenges traditional critical assumptions about the role of gender in shaping religion and politics and the role of women in defining gender and thus influencing religion and politics.
Thematology --- English literature --- anno 1600-1699 --- Christian poetry, English --- Christianity and literature --- Women and literature --- Christian literature, English --- Protestant women --- Christian women --- History and criticism. --- History --- Protestant authors --- Women authors --- Intellectual life. --- Arts and Humanities --- Literature
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Catholics --- Christian fiction, American --- Christianity and literature --- Intellectual life --- History and criticism --- History --- O'Connor, Flannery --- O'Connor, Flannery --- Criticism and interpretation. --- Religion. --- Southern States --- Southern States --- In literature. --- Religion.
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English literature --- Bible OT. Wisdom books. Psalms --- anno 1600-1699 --- anno 1500-1599 --- Bible. Psalms --- Paraphrases anglaises --- History and criticism --- Criticism, interpretation, etc --- History --- 16th century --- 17th century --- In literature --- Early modern, 1500-1700 --- Christianity and literature --- England --- Religion and literature
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Richard Rolle, the 'hermit of Hampole', wrote an extensive body of religious literature that was widely disseminated in late medieval England; but although many of his works have received substantial editorial attention, they have as yet attracted only limited detailed critical analysis, with scholarship largely focused on establishing facts about his life and striking character. This study aims to correct this imbalance by re-examining his English prose works - 'Ego Dormio, The Commandment' and 'The Form of Living' - in terms of their literary form, content and appeal rather than their relationship to Rolle's biography. The author argues that in these devotional works (which appealed to a broad readership in late medieval England) Rolle successfully refines traditional affective strategies to develop an implied reader-identity, the individual soul seeking the love of God, which empowers each and every reader in his or her own spiritual journey. CLARE ELIZABETH MCILROY teaches at the University of Western Australia.
Christianity and literature --- Christian literature, English (Middle) --- Mysticism --- English language --- Mysticism in literature. --- History --- History and criticism. --- Style. --- Rolle, Richard, --- Ermyte, Richard, --- Richard Ermyte, --- Hampole, Richard Rolle of, --- Rolle of Hampole, Richard, --- Rolle de Hampole, Richard, --- Richard Rolle, --- Prose. --- Germanic languages --- Rolle, Richard
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Hrotsvit was the first dramatist of Christianity, the first female Saxon poet, the first Germanic author to employ the Faust theme, and one of the first Western writers to compose a Christian epic. The essays in Hrotsvit of Gandersheim examine the historical, cultural, legal, and political contexts of Hrotsvit's works, locating her opus within the tenth-century aristocratic and clerical intellectual milieu. This collection contextualizes Hrotsvit's works with respect to heroic, sexual, domestic, behavioural, linguistic, theological, and hierarchical aspects of early medieval and patristic literary traditions. It also explores other literary texts that inform Hrotsvit's works and discusses the performance history and theatricality of Hrotsvit's plays. Hrotsvit's keen awareness of contemporary issues and her determination, within the parameters of monastic-aristocratic ideological constraints, to provide her readers with a rich variety of exemplary female heroes and acts of personal courage, offer twenty-first-century readers a powerful model of responsibility and agency.
Christian drama, Latin (Medieval and modern) --- Théâtre chrétien latin médiéval et moderne --- History and criticism --- Histoire et critique --- Hrotsvitha, --- Criticism and interpretation --- Hrotsvitha --- Christian literature, Latin (Medieval and modern) --- Christianity and literature --- Women and literature --- History and criticism. --- History --- Criticism and interpretation. --- Literature --- Literature and Christianity --- Christian literature --- Gandersheim, Roswitha von, --- Hrosvit von Gandersheim, --- Hroswitha von Gandersheim, --- Hrotsvit, --- Hrotsvitha Gandeshemensis, --- Rosvita, --- Roswitha von Gandersheim,
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An investigation of the public image of women as presented in contemporary drama. The focus of this study is upon the Corpus Christi plays, supplemented by other performance practices such as festive and social entertainments, civic parades, funeral processions and public punishments. The main argument relates to the traditional approaches to women's non-performance in the Corpus Christi dramas, but other factors are considered and analysed, including the semiotics of the cross-dressed actor and the significance of the visual and spatial language of the processional stage to gender debates. In conclusion, there is a series of readings which reassess the dramatic portrayal of a selection of holy and vulgar women - the Virgin Mary, Mary Magdalene, Mrs Noah and Dame Procula. The emphasis throughout the book is upon a performance-based analysis. Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women. KATIE NORMINGTON is Lecturer in Drama, Royal Holloway, London.
Mysteries and miracle-plays, English --- Christianity and literature --- Christian drama, English (Middle) --- Women and literature --- English drama --- Bible plays, English --- Corpus Christi Festival --- Gender identity in literature. --- Sex role in literature. --- Women in literature. --- History and criticism. --- History --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Church year --- Fasts and feasts --- Corpus Christi plays. --- Dame Procula. --- Mary Magdalene. --- Mrs. Noah. --- Virgin Mary. --- contemporary drama. --- gender debates. --- late Middle Ages. --- performance-based analysis. --- public image of women.
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